{"id":332,"date":"2014-07-12T20:04:28","date_gmt":"2014-07-12T20:04:28","guid":{"rendered":"http:\/\/www.tinamccallan.com\/?page_id=332"},"modified":"2024-03-29T17:34:58","modified_gmt":"2024-03-29T16:34:58","slug":"cv","status":"publish","type":"page","link":"https:\/\/www.tinamccallan.com\/about\/cv\/","title":{"rendered":"Re-creations CV"},"content":{"rendered":"

 <\/p>\n

E D U C A T I O N<\/span><\/p>\n

1990-1993<\/span><\/p>\n

\u00a0M.A. Painting at The Royal Academy of Arts, London.<\/span><\/p>\n

1994-1996<\/span><\/p>\n

\u00a0DAAD Scholarship to study at the Kunstakademie, Dusseldorf, with Prof. Gunter Uecker.<\/span><\/p>\n

 <\/p>\n

P R O J E C T S<\/span><\/p>\n

2018 – 2023<\/span><\/p>\n

MUSEO DE BELLES ARTES, VALENCIA<\/span><\/p>\n

A Re-creation of \u00a0“La Labradora” by Sorolla,<\/a> (1863\/1923) with 120 participants, a three day project to celebrate International Museum Day, and the centenary of Sorolla, Museum of Fine Arts, Valencia, 2023, oil on canvas, 260 cm x 163 cm.<\/span><\/span><\/span><\/p>\n

A Re-creation of \u00a0<\/span><\/span><\/span>\u201cPassion Triptych” by Hieronymous Bosch<\/a> (1450 \u2013 1516), 120 painters,\u00a0 a three day project to celebrate International Museum Day 2021, oil on canvas, 183cm x 216cm.<\/span><\/p>\n

A Re-creation of\u00a0 \u00a0“The Ear”<\/a> by Miguel March, (1633- 1670), an Isolation Re-creation with 110 participants for the Museo de Bellas Artes, Valencia, 2020.<\/span><\/p>\n

A Re-creation of “<\/strong>Lady with a Unicorn” by Raphae<\/a>l, a lock down, virtual re-creation online, 2020.<\/span><\/p>\n

A Re-Creation of Agrosot’s, “Baco Joven” (Young Bacchus)<\/a> , o<\/span>il on Canvas, 292 cm x 171 cm, 200 painters,\u00a0 a two day project to celebrate International Museum Day, 2019<\/span><\/p>\n

A Re-Creation of Tomas Yepes, “Bodegon con Ceramica”<\/a>, o<\/span>il on Canvas, 220 cm x 170 cm, 150 painters,\u00a0 a two day project to celebrate International Museum Day 2018<\/span><\/p>\n

CONFUSION ARTS FESTIVAL, BENIMACLET, VALENCIA<\/u><\/span><\/p>\n

A Re-creation of Tamara de Lempicka’s ” Girl with White Gloves”<\/a> 100 participants, October, 2018.<\/span><\/p>\n

BICIFEST\u00a0 ARTS FESTIVAL, CCCC ARTS CENTRE & RIO TURIA, VALENCIA<\/u><\/span><\/p>\n

A Re-Creation of\u00a0 Oleg Tchoubakov’s,\u00a0 “Girl on a Red Bicycle<\/a>“, o<\/span>il on Canvas, 150 cm x 100 cm, 150 painters,\u00a0 a two day project to celebrate BICI FEST,\u00a0 2018<\/span><\/p>\n

2012- 2017<\/span><\/p>\n

INTRAMURS ART FESTIVAL, VALENCIA<\/u><\/span><\/p>\n

A Re-creation of Cranach’s Adam and Eve<\/a> with 100 participants (October 2017)<\/span><\/p>\n

MUSEO DE BELLAS ARTES, VALENCIA<\/u><\/span><\/p>\n

A Re-Creation of Jacomart’s the Annunciation<\/a> with 196 visitors to the museum (May 2017)<\/span><\/p>\n

CAMBRIDGE HOUSE COMMUNITY COLLEGE, ROCAFORT<\/u><\/span><\/p>\n

Re-Creation of \u00a0Syrian artist, Suhair Sibai,<\/a> to celebrate International Peace Day (Jan 2017)\u00a0<\/span><\/p>\n

MUSEO DE BELLAS ARTES, VALENCIA
\nA Re-creation of\u00a0 “
Ninos con Flores en el Balcon” by Pinazo<\/a> to celebrate International Day of the Museums (2016)<\/span><\/p>\n

MUSEO DE BELLAS ARTES, VALENCIA
\nA Re-creation of
Sorolla’s ” La Grupa Valencia”<\/a> to celebrate International Day of the Museums (2015)<\/span><\/p>\n

UNITED NATIONS, TYRE, LEBANON. (June 2014)<\/span>
\n A Re-creation of
“Pilgrimage to the Cedars of Lebanon”<\/a> by Constvary Koszta (1901)<\/span>
\n At the UNIFIL Military base, Tyre, Lebanon, with civilian and military personnel.<\/span><\/p>\n

WINGFIELD ARTS CENTRE, SUFFOLK, U.K (March 2014)<\/span>
\n A Re-creation of
” The Matyrdom of St.Edmund”,<\/a> by Brian Whelan.<\/span>
\n Commissioned by Reverend David Streeter.<\/span><\/p>\n

Two projects sponsored by the U.K. Arts Council, for Transported Art, an initiative to bring at into rural communities.<\/span>
\n BAKKAVOR PIZZA FACTORY, SPALDING, LINCOLNSHIRE, U.K . (July 2013)<\/span>
\n A re-creation of
Van Gogh’s “Factory at Asnieres”<\/a> with 100 factory workers.<\/span>
\n &<\/span>
\n THE PINCUSHION PUB, WYBERTON, U.K (July 2013)<\/span>
\n A re-creation of ”
The Absinthe Drinkers” by Degas<\/a> with 100 pub goers.<\/span><\/p>\n

BATTLE OF FLOWERS, GUERNSEY, CHANNEL ISLANDS. (July 2012)<\/span>
\n Re-creation of Arcimboldo’s
“Flora and Primavera”<\/a> with 100 attendees to the festival.<\/span>
\n Sponsored by the Guernsey Arts Commission<\/span><\/p>\n

WINGFIELD ARTS CENTRE. SUFFOLK ( July 2012)<\/span>
\n Re-creation of a portrait of The Queen by photographer Joseph Karsh to celebrate Jubilee with the local community. Commissioned by Reverend David Streeter.<\/span><\/p>\n


\n

2010-11<\/span>
\n CANAKALE BIENNALE, TURKEY.<\/span>
\n A Re-creation of a giant page of a Persian manuscript,
\u201cLion Versus Bull\u201d<\/a> with 100 visitors to the Biennale.<\/span>
\n Curated by Denizhan Ozer.<\/span><\/p>\n

CALIS CARNIVAL, FETHIYE, TURKEY.<\/span>
\n Re-creation of \u201c
Two ducks carrying a tortoise\u201d<\/a> Ottoman painting, with the public.<\/span>
\n Sponsored by the 3C’s Charity to help integrate ex-pats, tourists and locals.<\/span><\/p>\n

OLUDENIZ PARAGLIDING FESTIVAL, TURKEY.<\/a><\/span>
\n Re-Creation of \u201c
Icarus\u201d<\/a> by the paragliding pilots and visitors to the festival.<\/span>
\n Sponsored by the International Mediterranean Academy.\u2028\u2028<\/span><\/p>\n

TROLEX LTD. MANCHESTER, <\/span>U.K.\u2028Re-creation of \u201cStockport Viaduct\u201d by Alan Lowndes<\/a> with employees of the company.<\/span><\/span>
\n Corporate Commission by TROLEX<\/span><\/p>\n

RE-CREATIONS IN THE WORKPLACE, sponsored by Barclays Wealth and the Guernsey Arts Commission<\/span><\/p>\n

ST. MARTINS DISABILITY DAY SERVICE, GUERNSEY.<\/span>
\n Re-creation of \u00a0
Van Gogh’s “Village Street”<\/a> with service users, staff and careers.<\/span><\/p>\n

PRINCESS ELIZABETH HOSPITAL:<\/span>
\n Matisse\u2019s \u201c
Open Window Collioure\u201d<\/a> with 100 doctors, nurses and patients.<\/span><\/p>\n

GUERNSEY POLICE FORCE<\/span>
\n
Rembrandt\u2019s, \u201cJacob Gheyne III<\/a>\u201d, the most stolen painting in Britain, with 100 police officers.<\/span><\/p>\n

GUERNSEY PRISON: Caravaggio\u2019s \u201cBoy with a basket of fruit\u201d with 100 prisoners.<\/span><\/p>\n


\n

2002-2009<\/span><\/p>\n

BATTLE OF FLOWERS, GUERNSEY.<\/span>
\n A recreation of \u00a0
Gustav Klimt\u2019s ” Mada Primavesi”<\/a> with 178 local people and tourists.<\/span><\/p>\n

48 HOURS IN NEUKOLN, BERLIN, GERMANY.<\/span> A Re-creation of Arcimboldo’s ” Primavera” in the street with 100 local kids and visitors to festival.<\/span><\/span><\/p>\n

STOKEFEST, LONDON (2006)<\/span>
\n
\u201cBoy Reading Robinson Crusoe\u201d<\/a> Victorian Print. To highlight the fact that Daniel Defoe wrote his masterpiece in the area.<\/span><\/p>\n

MUSEUM OF LONDON \u201cRat catching at the Bunhill Tavern\u201d.<\/a> A one day project with 60 visitors to the museum where we re-created a painting in the collection.<\/span><\/p>\n

FLORAL GUERNSEY FESTIVAL. A Recreation of “Orchids\u201d by William Caparne.\u2028A three day project with 365 visitors to the festival. To highlight the work of local Victorian watercolourist, W.Caparne.<\/span><\/p>\n

THE PESTIVAL: \u201cAmbush Bug\u201d by Cornelia Hesse- Honiger<\/a>. A two day project at the Festival of Insects, London Wetland Centre.<\/span><\/p>\n

INTRUST LONDON,<\/a> 38 WIGMORE ST, LONDON.<\/span><\/p>\n

\u201cThe Tribute Money\u201d by Titian. A one day corporate Re-creation with 80 employees.<\/span><\/p>\n

THE LOST VAGUENESS FESTIVAL, \u201cThe Fairy Feller\u2019s Masterstroke\u201d by Roger Dadd. A three-day outdoor re-creation with 56 Festival-goers at, Lewes, Sussex.<\/span><\/p>\n

THE ST MARGARET\u2019S CHURCH ALE PERFORMANCE ART FESTIVAL: with HOME LIVE ART.\u2028\u201cSt. Margaret of Antioch\u201d by Zurburan<\/a>.\u2028A three-day outdoor re-creation with 64 artists and audience members, Suffolk.<\/span><\/p>\n

GLASTONBURY FESTIVA<\/a>L: \u201cThe Garden of Earthly Delights\u201d by Hieronymous Bosch, a three day Outdoor Re-creation with 120 festival goers. Sponsored by Prestel.<\/span><\/p>\n

COMMUNITY HOUSING ASSOCIATION, LONDON: \u201cJoyeux Farceurs\u201d by Henri Rousseau<\/a>, a three day out door re-creation with 80 residents and tenants of Auden Place, a housing estate on Primose Hill, London.<\/span><\/p>\n

OAKWOOD SCHOOL: LONDON, \u201c Detail of a Singh Twins painting\u201d\u2028A one day project with year 5, 70 children, addressing issues of ethnicity and nationality.<\/span><\/p>\n

THE TRAFALGAR HILTON HOTEL, LONDON:\u2028\u201cGarcon a la Pipe\u201d by Picasso<\/a>, a four-day re-creation with 100 guests and visitors to the Hotel. Commissioned by the Trafalgar to coincide with Frieze Art Fair.<\/span><\/p>\n

KENWOOD HOUSE: LONDON: \u201cGirl with a Guitar\u201d by Vermeer.<\/a> A three-day Re-creation with 80 people. Commissioned by English Heritage.<\/span><\/p>\n

THE NATIONAL GALLERY, LONDON: \u201cA Satyr Mourning a Nymph”<\/a> by Piero Di Cosimo. A Re-creation in the Sainsbury Wing<\/span><\/p>\n

GUERNSEY ARTS CENTRE ( EX- GRAMMAR SCHOOL)\u00a0 The “Arnolfini Marriage” by Jan Van Eyck.<\/a> Re-created over two weeks with ex-pupils of the Guernsey Grammar School for Girls.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  E D U C A T I O N 1990-1993 \u00a0M.A. Painting at The Royal Academy of Arts, London. 1994-1996 \u00a0DAAD Scholarship to study at the Kunstakademie, Dusseldorf, with …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/pages\/332"}],"collection":[{"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/comments?post=332"}],"version-history":[{"count":104,"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/pages\/332\/revisions"}],"predecessor-version":[{"id":3336,"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/pages\/332\/revisions\/3336"}],"up":[{"embeddable":true,"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"https:\/\/www.tinamccallan.com\/wp-json\/wp\/v2\/media?parent=332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}